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And by the late ’70s, Billy Crystal was starring on ABC’s Soap as Jodie Dallas, a gay man who directs TV commercials. The short-lived ABC sitcom The Corner Bar debuted a year later and featured Vincent Schiavelli as a set designer who’s gay. In 1971, on the fifth episode of the first season of CBS’s All in the Family, America’s favorite bigot Archie Bunker has a mini-existential crisis after learning that his burly, ex-athlete drinking buddy is gay. The history of LGBT characters on network television goes back nearly half a century.
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If The Simpsons’ creative staff didn’t go out on a limb for the episode, it might not have seen the light of day. In fact, a censor initially decreed that the script for "Homer’s Phobia" was unfit to produce. Not everyone saw the value in the concept. "The idea was that this character was introducing gay life to a happy home that knew nothing about it," Waters said. In the era of "don’t ask, don’t tell," nearly two decades prior to the Supreme Court ruling in favor of same-sex marriage, the second part was just as radical as the first.
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John spends the episode not only helping Homer at least start to shed his homophobia but also acquainting the Simpsons family - and the adolescent-filled audience - with gay culture. That meant developing a story absent the kind of sanctimony that you’d find in an after-school special. But they also wanted to do it in a way, he added, that "was real and not silly sitcom phoniness."
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"Bill and I wanted to do stuff that no one had done," Weinstein said.
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An animated series showcasing a gay character was especially novel. Ellen DeGeneres was still two months away from coming out on her eponymous sitcom. Today, such a cameo wouldn’t be terribly significant. In "Homer’s Phobia," Waters plays a Simpsonized version of himself: He’s a gay man named John who owns a kitschy antique store. When Waters aficionados Bill Oakley and Josh Weinstein became Simpsons showrunners in the mid-’90s, they cast the comedy icon. His transgressive strain of humor could be seen in a program that in its early days was shocking enough to draw the ire of the sitting president.
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It’s a wonder that it took so long for The Simpsons to enlist Waters. Finally I was a cartoon character - and I kind of look like one anyway. "And this was about as close to that as I got. "When I was younger, I always wanted to be a Disney villain," he said. "You know, it was an audience I never had." The grade schoolers may not have heard of Pink Flamingos or Polyester, but they were starstruck by the guy with the pencil mustache who was cool enough to be on their favorite show. "Little children came up to me in airports and said, ‘You were on The Simpsons,’" Waters told me recently. That began to change soon after February 16, 1997, the night Waters appeared on The Simpsons. Twenty years ago, before his cult classic Hairspray was turned into a Broadway smash, The Pope of Trash was largely known for making movies from which parents shielded their children’s eyes. He didn’t understand the power of the greatest television series of all time until kids started recognizing him in public.